Wives and Daughters (1865)

Elizabeth Cleghorn Gaskell (née Stevenson; 29 September 1810 - 12 November 1865), often referred to as Mrs Gaskell, was an English novelist, biographer, and short story writer. Her novels offer a detailed portrait of the lives of many strata of Victorian society, including the very poor, and are of interest to social historians as well as lovers of literature. Her first novel, Mary Barton, was published in 1848. Gaskell's The Life of Charlotte Brontë, published in 1857, was the first biography of Brontë. In this biography, she only wrote of the moral, sophisticated things in Brontë's life, the rest she left out, deciding that certain, more salacious aspects were better kept hidden. Among Gaskell's best known novels are Cranford (1851-53), North and South (1854-55), and Wives and Daughters (1865), each having been adapted for television by the BBC. Wives and Daughters, An Every-Day Story is a novel by Elizabeth Gaskell, first published in the Cornhill Magazine as a serial from August 1864 to January 1866. It was partly written whilst Gaskell was staying with the salon hostess Mary Elizabeth Mohl at her home on the Rue de Bac in Paris. When Mrs Gaskell died suddenly in 1865, it was not quite complete, and the last section was written by Frederick Greenwood. The story is about Molly Gibson, the only daughter of a widowed doctor living in a provincial English town in the 1830s. Plot summaryThe novel opens with young Molly Gibson, who has been raised by her widowed father, Dr. Gibson. During a visit to the local aristocratic 'great house' of Lord and Lady Cumnor, Molly loses her way in the estate and falls asleep under a tree. Lady Cuxhaven (one of the daughters of the house) and Mrs. Kirkpatrick (an ex-governess to the Cumnor children) find Molly in her slumbering state and Molly is put to bed in Mrs. Kirkpatrick's room. There are allusions to the latter as Miss Clare, her maiden name. Clare appears to be a kind woman and assures Molly that she will wake her up when it is time for the entourage to leave. However, she forgets to do so and Molly is stranded in the mansion. She is distressed at the thought of spending the night at the mansion. To her relief, her father arrives to collect her. Seven years later, Molly is described as an attractive and rather unworldly young woman, which arouses the interest of one of her father's apprentices, Mr. Coxe. Mr Gibson discovers the young man's secret affection and sends Molly to stay with the Hamleys of Hamley Hall, a gentry family that purportedly dates from the Heptarchy but whose circumstances are now reduced. Molly forms a close attachment with Mrs. Hamley, who embraces her almost as a daughter. Molly also befriends the younger son, Roger. Molly is aware that, as the daughter of a professional man, she would not be considered a suitable match for the sons of Squire Hamley. The elder son Osborne, is expected to make a brilliant marriage after an excellent career at Cambridge: he is handsome, clever and more fashionable than his brother. However, he has performed poorly at university, breaking the hearts of his parents. Molly accidentally discovers his great secret: Osborne has married for love, to a French Roman Catholic ex-nursery maid, Aimee, whom he has established in a secret cottage as he is convinced that his father would never accept Aimée as his daughter-in-law...........